![]() “Tomorrow I will take a long siesta,” Marianne declares, lying on a couch in her bathing suit after a day by the pool. This is not a film interested in passing judgment on la belle vie.Įven as I became more sensitive to the subtleties of the film’s dialogue (“the first swim really takes it out of you,” says Marianne, when Penelope returns from the beach having lost her virginity to Jean-Paul), I remained more interested in simply watching beautiful people do very little. Watching it now, having done a deep dive (ahem) into the original, made me acutely aware it was the very absence of action, the unapologetic decadence, that kept pulling me back to the theater. In that version, the drowning is an accidental crime of passion, far from the cold, calculating murder of “La Piscine” the dialogue is faster, the cuts sharper, the music louder. “ A Bigger Splash,” the marvelous 2015 remake starring Ralph Fiennes and Tilda Swinton, which Americans may be more familiar with, maintains the broad strokes of the plot, but, as the title suggests, it is much splashier. “Can you believe there’s another hour of this?” I overheard one older woman marvel to her friend near the halfway mark. The film is classified as a psychological thriller, but to first-time viewers, very little happens until the very end. There’s also the incredible magnetism and chemistry of the two stars, who were real-life lovers.” ![]() “It’s a vacation in the south of France that a lot of people can’t take. Goldstein said, trying to explain why a 50-year-old French film starring actors who were largely unknown in America has been such a hit.
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